以声优为目标的少女，在闪耀的声优学园展开故事。

　　正在读初三的月岛雯是一个喜欢看书的女孩，她每次都能在借书卡上看到一个叫天泽圣司名字，因此她对这个人充满了好奇。 雯一直喜欢写诗，有一天她跟好友夕子在讨论写诗的事，夕子告诉雯自己收到了情书，但事实上夕子已有了喜欢的人。更没有想到的是，夕子喜欢的杉村喜欢的是雯，雯一时间感到十分困惑。 雯无意中来到了一个小店，原来店主是圣司的爷爷。认识了圣司之后，听到了圣司对自己理想的追求之后，也激发了雯对自己理想的追求之念。当圣司离开了到意大利学习做小提琴时，雯决定要专心写作。当雯完成了作品之后，她发现原来自己高估了自己，就这样她选择继续考高中，这时她非常想念圣司。 一天凌晨，她站到窗边，突然看到了一个熟悉的身影……

　　佐桥皆人（立花慎之介 配音）是一个普通的应届考生，运气不好的他在连续两次落榜后，决心要向心目中的理想大学展开第三轮进攻，没想到，一个少女的从天而降彻底改变了皆人平凡的命运。少女名叫结（早见沙织 配音），自称鹡鸰，而皆人在她的口中则成为了她的苇牙。原来，如今的首都正在开展一场轰轰烈烈的战争，共有108名鹡鸰参与其中，她们要和她们的主人苇牙结下契约，只有在苇牙的帮助下，她们才能够羽化参加战斗。　　就这样，皆人被莫名其妙的卷入了大战之中。除了结外，个头较小脾气却很大的草野（花泽香菜 配音），成熟为重法力高强的松（远藤绫 配音），桀骜不驯的御姐月海（井上麻里奈 配音）等鹡鸰接连出现在了皆人的面前，面对强大的对手，皆人和他的鹡鸰们能够获得最终的胜利吗？

　　Disney+动画剧集《奇奇与蒂蒂：公园生活》(Chip ‘N’ Dale: Park Life，暂译)释出首张剧照，并确定于7月23日开播。该剧由让·凯罗尔执导，讲述两个小捣蛋鬼试图在大城市公园里过上美好的生活，同时也在经历巨大的、天马行空的冒险。该剧共36集，每集7分钟。

　　该剧讲述了日本战国时代，女城主井伊直虎以男儿之名继承家业，为井伊家的生存、兴旺而奋斗一生的故事。　　井伊直虎（平假名：いい なおとら，1536？—1582年），别名次郎法师，法号祐圆尼。是日本战国时代的女性领主。远江井伊谷（静冈县滨松市（旧引佐郡）引佐町）的国人井伊氏当主，有“女地头”的称呼。与井伊直亲有婚约，但终生未婚。是“德川四天王”之一——德川麾下名将井伊直政的养母。

　　在东京发生奇异的客机坠毁事件后不久，相马小次郎班上转来了新生。其中一个竟是小次郎过去的好友——小林章人。可两人的再会却让小次郎有了不祥的预感。　　随着小林的到来，学校周围开始频繁出现妖魔袭击学生的事件。妖魔们想用八百万众神的转生体——八神咲作为贡品，在东京复活恶魔统帅欧赛。而小林就是恶魔的计划实行者，他拐走了八神咲，并邀请小次郎加入恶魔阵营。相马断然的拒绝了小林。就在此时，他体内隐藏的破坏魔神之力也开始慢慢觉醒了。在友情与大义之间，相马究竟会作何选择呢？　　扭曲的爱与欲望，是否预示着东京破灭的未来？错综复杂的恶魔物语即将展开。　　【背景介绍】　　OVA全2卷　　1995年发行VHS，2000年出了DVD版　　本OVA包含了神鬼魔兽等奇幻因素，也集合了BL GL等现在看来也更加时尚的噱头……　　更有多位大牌声优助阵，怎么能不看　　【人物介绍】　　小林：热衷于电脑，懂得恶魔召唤之术的神秘转学生　　相马：体内隐藏着破坏魔神之力的人，对恶魔很有兴趣　　三浦：相马的同学，从属于新闻社，一个再普通不过的男人　　八神：八百万众神转世体，具有巨大的磁场能源，因而被恶魔们盯上　　京子：教会的小魔女，对相马抱有好感，几次暗中拯救了他的性命

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

　　Omar Lulu, who shot to fame with the surprise hit 'Happy Wedding,' is known to feature new faces in his projects.

　　Different Drummers is based on a true story about two unusual boys in Spokane, Washington in the mid 1960s. In this more innocent time, when body builder Jack Lalanne ruled the airwaves, the two heroes, a couple of elementary school students, make a bold attempt to triumph over mortality through friendship. Eleven year old David is slowing down and is now wheelchair-bound by muscular dystrophy, while Lyle can't stop speeding up. Back then, he was referred to as having a condition called MDB (Minimal Brain Dysfunction) but today he would be diagnosed with "Attention Deficit Disorder." Lyle wants more than anything to get David out of his wheelchair and running again, and he concocts a wild scheme involving a science project, some firemen, drummers, the school principal, a cop and a hand-walk across the school gymnasium, among other things. It works like this: Inspired by his TV idol, Lalanne, and his message of "intestinal fortitude and willpower," Lyle manages to convince David that ...

　　和初恋情人分手的少年害怕逐渐忘记分手女友的自己，　　少年只对想象中的‘幽灵海蜇’说出真实的内心。　　有一天少年在海边偶然遇到一个少女，回想起一件事情。　　少年告诉少女在大海深处有一个可以游进别人梦境的小门，　　少女越来越喜欢上这个有点怪异的少年。　　正当他们逐渐了解对方的时候，　　有一天少年突然失踪，不安的少女开始寻找他…。

　　阿布和努瓦思是马来西亚宗教寄宿学校里的同寝室友，阿布品学兼优、备受　　同学敬重，成绩普通的努瓦思却常受校园恶霸欺凌。在充满疑惑与自我探索　　的青春岁月里，两个相异的少年，却守着一个不可告人的秘密。

　　1940年，雷锋（陈海劼 饰）出生在湖南望城一户贫民家里，他五岁那年，父亲雷明亮（金永林 饰）被日本兵活活打死。为了活命，小雷锋去给地主放牛，哥哥也到镇上的染房做徒工，后来在贫病交加中死去。哥哥死后，雷锋边干活边照看年幼的弟弟，妈妈（陶慧敏 饰）则靠卖香烟火柴贴补家用，不久弟弟夭折，好心的邻居吴裁缝也被抓了壮丁。母亲因不堪汉奸刘绍礼（崔杰 饰）污辱，自尽身亡。成为孤儿的雷锋靠讨饭度日，幸遇地下党员彭大叔（吕晓禾 饰）把他收养在自己家里。解放后，雷锋（王思圣 饰）担任了儿童团长，跟着大人们斗地主、分田地，站岗放哨抓坏人，并分得一块属于自己的土地。在党和政府的关怀下，雷锋得到了上学的机会......