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上海风云粤语
香港粤语1989
  上海风云之争雄岁月剧情简介:  故事发生在二十世纪初的上海。  马啸天(郑少秋饰)原为一富家子弟,由于不满封建制度的条规和被卷入刺杀官员的事件中,便与仆人一起离开父母生活。从小娇生惯养的他在社会上难以生存,甚至于给人拉黄包车为生。而女友孙小东(叶玉卿饰)在上海夜总会唱歌,以她甜美的歌喉渐渐在上海滩走红。而马啸天心中也渐感自卑。  此时,邂逅上海滩权贵曹学如的情妇,由她的推荐,马啸天开始到曹学如身边工作。而此女对马啸天钟情,为得到他不惜雇人强奸了孙小东。使得小东因感配不上啸天而接受了苦苦追求她的富豪霍家成。马啸天伤心之至,酒后和曹情妇发生关系……  上海风云之危城岁月剧情简介:  又是二十余年过去,马在上海滩已是权及一时而且和法国领事有着极好的关系。他的五个孩子也都长大成人。老大马一文成熟稳重,老二马一武冲动要强,老三马一财懦弱胆小,老四马一权和女儿马一梅(吴茜薇饰)都还是纯真少年。 老三马一财为了向父亲证明他的能力不幸掉进马对手的陷阱在马面前开枪自杀。马啸天找到凶手为儿子报了仇。

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极度恐慌1983
西班牙其它1983
  PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 

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