15岁的艾利克斯来自一个天主教家庭，他希望自己将来能成为一个牧师。当他无意中发现并打开了一个神秘的盒子之后，放出了一个一心要占据他身体的恶魔。艾利克斯必须找到办法打败这个一直在折磨儿童的古老的恶魔，否则将会毁掉他和所有他爱的人。

　　一个考古学教授带着几个年轻学生在树林里寻找一个神秘的洞窟，据说埋藏着古代的秘密。他们最终找到地方的时候，队伍中的几个人露出了贪婪的面目，把其余人绑起来，想夺走洞中的宝物。没想到在洞中搜寻宝物时，其中一人拿到一顶诅咒的王冠，无意中释放出了宝藏的守护者——一只隐形的怪物，它似乎跟外星人有关。怪物一路追杀，将这一行人逐个杀死……

　　A mad scientist creates a monster, but after its head is cut off, he keeps it alive in a serum he has invented.

　　五名劫匪在作案后劫机试图飞往墨西哥边境，但其中一个为私吞赃物而带钱跳伞逃走，众人无奈只能追其而去。然而他们不知道现在所处的地方竟是一个被巫术诅咒已久的稻草人墓地，人们接连被复活的稻草人杀害。不过凡是在此被杀的死者都会变成活死人追杀其他幸存的人类，劫匪们被逼入了绝境……　　这是狮门影业经典的恐怖电影，被影迷誉为史上最棒的稻草人杀手电影。此片最大魔力在于，虽然剧情有点沉闷，但它还能使你饶有兴致地观看下去。电影气氛诡异，灯光效果设置绝佳，血腥的狗血镜头加上稻草人丧尸们那恐怖的外形绝对会给观众带来超级震撼的感受。

　　Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

　　影片讲述了幼年丧父的捉妖师关灯，靠着自己捉妖驱魔的技法维持生计却意外地卷进了西方恶魔的大阴谋，一场浩劫将血洗恶魔镇。关灯在恶魔镇经历了悲喜离合，他与恶魔镇的羁绊也越来越深。善良正义的关灯决定肩负起恶魔镇的命运，最终携手众妖重新封印了恶魔，使恶魔镇恢复了往日的平静的同时关灯也收获了自己爱情的故事。

　　

　　

　　《监狱风云》的续作，资深囚犯阿正（周润发 饰）因为与前任科长（张耀扬 饰）的过节而延长刑期，服刑期间母亲病逝，儿子良仔被送到孤儿院甚至对父亲产生怨恨。阿正一心想申请外出看望儿子却遭到狱警头子“鬼见愁”（徐锦江 饰）的诸多刁难。“鬼见愁”因收买狱中大陆帮首领大圈龙（陈松勇 饰）不果 ，把其视为眼中钉，并且从中唆使挑拨使得大陆帮与阿正之间产生隔阂。一次陷害使得大圈龙不得不出逃，被误会陷害大圈龙的阿正也被迫逃走，逃跑途中两人相遇并产生了一段“难兄难弟”般的友情。最后阿正被再次抓回狱中，在暴乱中阿正终于得到机会和”鬼见愁“短兵相接。

　　龙卫、陆大山、马跃突然接到雅塔的紧急呼叫，她告诉龙卫，已经得知了黑色罂粟计划的内容！龙卫等人与雅塔汇合，她将一个名叫“露娜”的女孩儿带来与龙卫见面。　　从女孩儿口中龙卫得知，她是一名生物学博士研究生，刚从藤国北部的一所私人医学实验中心逃出来的，实验室内，一个叫海亚博士的人正是黑色罂粟的研制者，他研制的黑色元素，加入到毒品中，会使人对毒品的渴望增加数百倍，进而变得疯狂。黑色元素是基于第16号染色体中部的ABCC11基因上第538位碱基突变的原理研制的基因毒素，这种基因突变也是狐臭的病源，中国人中，这类基因突变的人占比为95%，华北等中原地带占比为99%。 换句话说，这种毒素是专门针对中国人的基因武器！几天以前，两个神秘人（蝰蛇和麋鹿）来到了医学实验中心，他们向博士说黑狐要提前启动黑色罂粟计划，要求博士在数天之内生产2000毫升黑色元素，并提出愿意用高价购买黑色元素的配方图谱，海亚博士同意出售黑色元素，却拒绝出售配方图谱，他们悻悻而去，约定好几天内交货。　　龙卫不禁倒吸一口凉气。雅塔表明态度，她愿意继续为龙卫提供帮助，和他们一起行动抓捕海亚博士，从他那里截获黑色元素成品和配方数据。　　海亚博士的私人医学实验中心雇有大批雇佣兵把守，戒备森严。龙卫几人冒充雇佣兵，混入医学中心，占领实验中心的监控室，他们根据露娜提供的实验室位置，层层闯关，攻入实验室。海亚博士提着装有2000毫升黑色元素原液和配方数据的箱子从暗道仓皇逃离，正好被龙卫等众人截住。　　这一仗本来大获全胜，没想到雅塔忽然调转了枪口！她将龙卫三人拷住，并在黑狐的监控下，枪杀了龙卫三人。随后将海亚博士、黑色元素箱子带上车，原来，她与黑狐有一个约定：用三个血狼的性命和海亚博士、元素、配方数据，换取她父亲——藤国前总统的自由身。雅塔对龙卫充满歉意，但她为了父亲，别无选择。　　雅塔见到了前来交接的蝰蛇和麋鹿，但她失望了，蝰蛇和麋鹿并没有带来他的父亲，而是将梅姐等人全都击毙，抢走了海亚博士和箱子，雅塔多亏了梅姐的保护，躲过追杀！　　秘密地点，龙卫三人集结，等待雅塔出现。原来，雅塔从一开始就根本不相信黑狐会释放她的父亲，她早就将黑狐与她的谈判内容告知了龙卫，龙卫决定将计就计，目的是通过演这场戏，确定黑狐的藏身老巢，消灭黑狐，救出父亲。　　龙卫命令马跃用电脑追踪着信号，他们早在抓捕海亚博士的瞬间，就将一个微型的卫星追踪器射入了海亚博士的体内。卫星信号不断移动，最终停在一个位于深山中的秘密基地，那里就应该是黑狐的老巢！　　秘密基地，黑狐终于现身（蒙面），他先从海亚博士手中拿到了2000毫升黑色元素原液和载有配方图谱的电脑，随即原形毕露，逼迫海亚博士打开电脑文件密码，将黑色元素配方图谱交给他，海亚博士宁死也不说出文件密码，毒发身亡。黑狐鸡飞蛋打，十分恼怒，责成麋鹿立刻全力破解海亚博士的文件密码！为了赶在文件破译前消灭对手，龙卫等人只有十二小时的时间。　　黑狐基地，激战再次展开，龙卫三人作战小组快速突入，直奔秘密基地的主建筑，最终，龙卫小组突破了防线，击毙蝰蛇和麋鹿，闯入到建筑中，此时电脑已显示密码破解，龙卫在文件即将发送的前一刻终止了程序。　　剧烈的爆炸响起，整个秘密基地化为灰烬，龙卫、陆大山、马跃、雅塔劫后余生，但没有人惊喜，他们失去了抓捕黑狐的机会。——猴子传输来的侦查卫星图片显示，一艘快艇从秘密基地驶出，已经远去了。　　快艇上，黑狐将手里的电话扔进大海中，他缓缓摘下面具，居然是雅塔的父亲，藤国前总统坤恩！

关于新人爱情的戏剧的第二卷，由性感女演员三上优亚主演。结婚第二年的今澄修次郎和遥香过着人们羡慕的理想婚姻生活。然而，有一天，修次郎向遥香吐出了他积累的欲望。