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卧龙战警
美国英语1992
  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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玛丽·塞利斯特的秘密
英国英语1935
  《玛丽·塞利斯特的秘密》拥有很强的悬念性,画面真实自然,人物形象刻画入微。贯穿整部影片的悬念到最后才得以解开。导演以细致的人物心理刻画,使得这部经典影片即便在当今看来,也绝对让人匪夷所思!  玛丽·塞利斯特号商船满载货物准备离开纽约港前去意大利,船长本杰明要妻子萨拉一同前往,本杰明向萨拉描绘了大海的美丽,红色的黎明,成群的白帆和美妙的夜晚。本杰明的描绘彻底消除了萨拉对出海远行的恐惧。  另一只商船的吉姆船长也爱着萨拉,他和本杰明原是好友,因同时爱上萨拉而不欢而散。商船将要启航,水手不够,本杰明找吉姆帮忙,吉姆不怀好意的派人上了“玛丽”号,他要本杰明到不了目的地。船员安顿和“玛丽”号副船长威尔逊有过节,他也随同商船一起出发了。海上起了风暴,商船在暴风雨中飘摇,有船员葬身海底,安顿告诉萨拉,商船起航就潜藏着危险,注定有死亡,萨拉感到非常害怕,接着发生的事情更是令她心惊胆颤,船员一个接着一个被杀,死亡笼罩着“玛丽”号,本杰明船长和萨拉也失踪了,只有威尔逊和安顿活着。真相终于大白,这一切都是安顿为了报复造成的,安顿开枪打死了威尔逊,自己也神智不清的跳入大海。吉姆的商船发砚了在海上漂流的“玛丽”号,可是船在无人。

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